Bisherige Stipendiat:innen:
2024
077 Vasudha Kapadia (Indien)
076 Tania Gheerbrant (Frankreich)
2023
075 Ivan Moudov (Bulgarian)
074 Jamie McGee (USA)
073 Etienne Dietzel (Deutschland)
072 Florian Wendler (Deutschland)
071 Daniela Flores Arias (Mexiko)
2022
070 Addie Ulray (USA)
069 Maria Garcia Ibanez (Spanien)
066 Iris Blauensteiner (Österreich)
065 Veronica Casellas Jimenez (Venezuela)
064 Felipe Sáez Riquelme (Chile)
2021
062 Leah Anderson (USA)
2020
2019
054 Carlos Fernandez (Costa Rica)
053 Roscha A. Säidow (Germany)
052 Anna Gielas (Germany)
051 Anne Posten (USA)
2018
045 Franziska Becher (Germany)
2017
043 Jeanne Gaigher (South Africa)
041 Matyáš Chochola (Czech Republic)
040 Michaela Roudnicka (Czech Republic)
039 Kosta Tonev (Bulgaria)
2016
038 Jen Calleja (UK)
037 Xanthe Somers (South Africa)
036 Mohammad Namazi (Iran)
2015
2013
025 Adam Knight (UK)
024 Klaengur Gunnarsson (Island)
023 Elisa Tosoni (Italy)
022 Celeste Najt (Argentina)
2012
#20 Félicia Atkinson (Belgium)
#19 Marguerite van Sandick (Netherlands)
#14 Anna Rosa Stohldreier (Germany)
012 Till Müller-Klug (Germany)
010 Agnieska Kozlowska (Poland)
009 Patricia Bucher (Germany/CH)
008 Alice McCabe (UK)BA, 2008, Oberlin College, Oberlin, OH; Post-Baccalaureate, 2012, School of the Art Institute of Chicago; MFA Painting & Drawing, 2014, School of the Art Institute of Chicago; MA Visual & Critical Studies, 2015, School of the Art Institute of Chicago. Exhibitions: Carrie Secrist Gallery, Chicago; TRUNK SHOW, Chicago; Hyde Park Arts Center, Chicago; Valerie Carberry Gallery & Richard Grey Gallery, Chicago; Sullivan Galleries, Chicago. Performances: Links Hall, Chicago; Kavi Gupta Editions, Chicago; Co-Prosperity Sphere, Chicago; Harvard Department of Visual and Environmental Studies, Boston, MA. Awards: HATCH Residency, Chicago Artists' Coalition; ACRE Residency, Steuben, WI; Ox-bow Residency, Saugatuck, MI; Oberlin Shansi Fellowship, Madurai, India.
Kelly Lloyd's work questions systems of value through creating installations, paintings, objects, written objects and lectures. Lloyd interchanges humor, denial and the personal to maintain a level of indeterminacy in her work that she hopes destabilizes stock relationships between looking, identifying and understanding. Lloyd places her objects and installations in foyers, hallways, elevators, street corners, bathrooms and other liminal spaces, to explore what, and who, is rendered visible and/or invisible. At this point, her autobiography is the most stable element of her work, while her forms are the least stable.